Wisdom comes by disillusionment.
- George Santayana
My next discourse was going to use as a jumping off point quotes from Edith Hamilton's ideas about the differences between Eastern and Western ideas about art and spirituality. The time frame to which Ms. Hamilton is speaking throughout "The Greek Way" is primarily the Classical Age, and specifically, in this chapter, 480 BC, The Battle of Thermopylae. Therefore, by "Eastern" she means "Persian" - but she generalizes it to include all of the Middle East and Asia. Likewise, "Western" starts out as meaning "Greek", but as a term grows to encompasses all of Western European and America.
So, I start thinking about all this, and it's all soon turns into a mess. Why? Because I'm not just thinking about what I'm thinking about, I'm also thinking about the
context in which I'm thinking about what I'm thinking about. Let me make it more plain:
this is personal. I am a white, middle-class, Christian, American woman living in the 21rst century. That's the context in which I'm learning all of this. And it's that context, I have found, that can be a stumbling block when I'm studying the history of other cultures, and especially ancient ones. I have to be aware of that context whenever I start nodding in agreement when people are passing broad sweeping judgements on the
people of the past. I have to be aware of that context when people are passing broad sweeping judgements on
modern people in foreign lands. Why am I nodding in agreement? Am I nodding in agreement because what they're saying is true, or am I nodding in agreement because what they're saying strokes my ego, "proves" to me that my way of being is far superior to theirs?
So then, thinking about THAT, I have to re-evaluate my initial reaction to my beloved Ms. Hamilton's musings on "The Way of the East and The West in Art". Since most art is religious art, "art" in this context became synonymous with "spirituality". She talks about how the rejection of spiritualism in favor of realism shows itself in the art of the Western world. Conversely, the favoring of the spiritual realm over harsh reality is displayed in the art of the Eastern world. The art produced in the West reflected its love of order and realism (relative realism anyway) whereas the art of the East reflected fear, chaos, and dark imaginings. That, in turn, leads her to this comparison:
Abide by the facts, is the dictum of the mind; a sense for fact is its salient characteristic.... In proportion as the spirit predominates, this sense disappears. So in the Middle Ages, when the West was turning more and more to the way of the spirit, the foremost intellects could employ their great powers in questioning how many angels could stand on a needle's point, and the like. Carry this attitude toward the world of fact a few steps farther and the result is the Buddhist devotee swaying before the altar and repeating 'Amida' a thousand, thousand times until he loses all consciousness of the altar, 'Amida', and himself as well. The activity of the mind has been lulled to rest and the spirit, absorbed, is seeking the truth within itself.
I liked this passage because, at the time, I was disillusioned with religion, both with Christianity and Buddhism, which I had been investigating wholeheartedly. What seemed to be working for everyone else in the way of spiritual enlightenment was not working for me. So this passage soothed the ego. Hamilton went on to compare two sources. First the East:
"Let a man," say the Upanishads, the great Brahman document, "meditate on the syllable Om. This is the imperishable syllable and he who knowing this, loudly repeats that syllable, enters into it and becomes immortal."
Then the West:
"God offers to everyone," says Emerson, "his choice between truth and repose. Take which you please - you can never have both."
Ah-ha! I thought. There you have it. All this spiritual nonsense it's all an enemy of the Truth! What's more, in an ironic twist, it's an enemy of God! That's why I'm not getting it. I knew it!
Hamilton goes on:
The practical divergence is of course immediately apparent in the intellectual realm. Those whose aim is to be completely independent of 'this muddy vesture of decay' do not become scientists or archaeologists or anything that has to do with actualities past or present. In art the result, though less immediately apparent, is no less decisive. In proportion as the spirit predominates, the real shapes and looks of things become unimportant and when the spirit is supreme, they are of no importance at all.
- pg. 40-41Now, she was really getting to me. I'd just broken up with spirituality; I was on the rebound with reason. But now that I've sobered up - and gotten back together with Christianity - I have to question whether or not Ms. Hamilton's I actually buy Ms. Hamilton's argument, or was I just being a sucker? And there's where I struggle. Reading this chapter last year, I felt elated. Reading it this year, it sounds both narrow-minded and absurd (Now, anyone who has read Hamilton's works will know that she is not narrow-minded. That's not what I'm saying. I'm saying that I
question - not outright disagree, but
question - this one part.) Was Hamilton saying that the East was and is the enemy of the Truth, or was she just saying that spiritualism is the enemy of Truth? Because, while she started out contrasting the art of Ancient Persia with Ancient Greece, she wound up contrasting the quest for
spiritual Truth (knowledge gained from divine revelation or personal insight) with the quest for
rational Truth (knowledge gleaned from reason and experience). Her language is harsh, and I would go so far as to characterize her opinion of spiritualism as intrinsically evil. It's should be obvious which of the two paths this journal intends to explore. But do I think the other path is invalid? Just because it's not my cup of tea, do I think that it's
evil? No.

Secondly, I find it confounding that she would lump Persian spirituality in with what is obviously Buddhism, a religion originating in the Indian subcontinent. I find it particularly confounding because the source she is drawing most of her information from - Herodotus' "Histories" - presents clear evidence that the Persians are practicing an early form of Zoroastrianism, which, to even a part-time religious scholar like myself, doesn't bear any resemblance to Buddhism. "The Greek Way" was originally written in 1930. Was Ms. Hamilton just ignorant about this? I find that hard to accept, but maybe I want her to be as informed as 21rst century technology would have allowed her to be. But, if she was ignorant of the religious practices of the Persians - and, granted, even with the insights from Herodotus, we don't truly know what their spiritual life was like - why didn't she just lump them together with the other pagan religions as they are described in The Bible? This would seem to me a common, albeit inaccurate, thing to have done at the time. The alternative is that it was a conscious choice. But why? I wish that I knew.
To be continued....